The Chaos Project

From Zeus’s head, from Jupiter’s thigh, a child was born.

Chaos laid cosmic eggs.

Ash, Elm bore young ones. As did a glowing stalk of bamboo, sea foam, night, dust, a bone, a giant peach, a block of salty ice licked by a cow. A rock bore light. Maggots in giants’ flesh became children.

Some were impregnated by sun beams, wind, and golden rain, by lightning, dreams of sun, and a bundle of feathers, by a footprint, by leaning against a plum tree, and by devouring an abuser’s genitals.

By her father’s genitals cast in ocean waves Venus was born of foam.

And that is just one entry in Wikipedia on “miraculous birth”! Think of the solutions already written.

Among the powers we needed for this ideal was a method for reproduction that was truly a choice, one supported structurally, one not required of a woman’s body, one liberated from the claims of seed, of bio-kinship, of patriarchal lineage, of enframement, of slavery, of isolation from the safety net.

We needed to remember how to receive each offspring as magical gift, as bringer of insight, as sign of health, as love embodied.

Summer 2022. The golden women responded to the post-Roe crisis in the United States just as they had helped refugees of authoritarianism and climate crisis globally: they used their privilege and their vast wealth to fill gaps in policy.

CNN estimated that there would be 180,000 unwanted babies born every year in 26 states with no social safety net for these children, let alone their families.

The golden women of SIA were ready for them. They had already created the alternative structures we needed to support thriving.

Here, their underground storing, sharing, transferring network quietly moved, moved women seeking procedures, collected tissues, and, when this failed, supported women and children, incorporating them into the grand vision, into the arms of fictive kinship, where they could be relieved, nurtured, healed, and protected from further trauma.

The primary goal was to stock the arks with future generations of humans who would be born to the various projects of the Multiversity.

* * * * *

Circe and Persephone were products of the Chaos Project, born in Texas and Mississippi in the Fall of 2022, their brave mothers among many lost on the birthing room table as maternal mortality rates soared, especially for women of color.

The were the youngest among us, only 7 when they buckled themselves into the shuttle with us.

Little Priestesses, murmured Juno as she placed a warm hand to each beloved cheek: Circe with her pet pig, Persephone with her calico cat.

They would receive the Wiki in 10 years. They would help us to guide the first generation born on the awaiting ark.

They would remember Earth with us, Earth in all her wonders still apparent on the day we said goodbye and watched her become the blue marble we had known in images all our lives.

What Circe had not expected was the thrill of the stars rushing toward her. It seemed to her that she was reeled in by them, by magical silk skeins of invisible thread like the fibers of her largest muscle, like the nerves that electrified her, like capillaries, veins, arteries that brought her breath.

She knew she was made of star stuff. She could faintly remember. She did not fear death, though she had been protected from it. It had been her fate.

Death is but a portal, she knew.

She patted her pig who she called Daddy O, with a knowing smile, having been reared on the legend of her own name.

Snort, snort, Odysseus replied, smart enough to know she had her own pig’s part to play.

On this ark, all took the pronoun she.

The Killing Eve Project

Queer viewers have always been required to read subtext, to cross-body identify, and to transcend death. (Whoever you are, pop television has always given us hope of a new season–with Dolores rising from the dead as a new character most recently. Unless we see the flatline while we watch the surgeon beating on the chest, then open the ribs and massage the heart, we should never be sure.

Even then, the coffin deep beneath the soil—can we be sure? Is our hero down there, unexpired? Will she rise?)

Gay marriage legalized, some thought they could sink into norms and narratives made for them.

I missed being an outlaw. I missed the ache at the end, the secrecy, even the lover that turned out to be a Russian spy. I missed walking out of the theater into the rain brokenhearted.

I get it. How lovely it would be to have happily ever after; we are all so tired from this resilience. The idea of being lulled to sleep, deep in the arms of our sweet soulmate, tempts.

But Queer is awake, resisting, throwing coins and heels at cops, throwing ashes on the White House lawn, rising from the dead in the New Earth.

If killing was an allegory for refusing heteropatriarchy, death is but a portal.

So, Villanelle awoke humorously heroic from her watery grave, thrumming with Russian accent, showing the whites of her eyes. Immediately teasing Eve anxious at her bedside. Charming as ever.

Her many bullet holes were patched with mycelial webs. Breath kept in their gills had sustained her in the depths, brought her afloat to the surface, liberated.

Your love made Villanelle and Eve real, real as the Velveteen Rabbit and the Skin Horse.

Then, the golden women and their Mycellium friend had intervened before the tragic tale could take again.

Even as they sent so many of us starward on our arks, the golden women saw the need for an Earth-based project, an agency of assassins, discreditors, bots and castrators would be needed to slow the tide of authoritarianism.

2049. Villanelle, now farsighted, peeking from behind a newspaper over her reading glasses, seemingly domesticated in her blissful love with Eve—who is still busy, obsessively pursuing proof and pattern in the criminal world.

Villanelle at work in her school of young assassins, rolling her eyes, overtly competitive with her own students and fellow teachers (also revived from the television narrative.)

And the 12. Carolyn, Konstantin, Hélène…They were the uncompromising priestesses of the dark morality of Earth. Pest control was always part of her toolbox.

Some were born for this, as Villanelle had discovered she was—not broken, but gloriously herself. Much to Eve’s chagrin and joy, their love and the violence of its challenge to the structures of the Old was uncontainable and impossible to repress.

It was a controversial experiment—but the Mycelium had taught that nature was ever-adapting for the flourishing of her various networks and communities.

The Master’s Tools Cannot Dismantle the Master’s House. Or can they?

We shall see in a millennium.